Video Art Movies

Video art made by Dellani Lima,

A conversation between a pisces and a capricorn about stifling isolation and nurturing solitude. Nicky Chue is a queer BPOC filmmaker from Berlin...

Using one half of a convex mirror mounted within a glass cylinder, Steina trains the video camera eye dead center as she records the space...

Religions are like cactus. They look like flowers, but with bare blades.

The video opens with a barrage of explosive imagery along with an audio track of a siren taken from the 1970s TV show Wonder Woman. The following...

Four Afro-American women drive around the deserted streets of the abandoned city. The palpable tension in the Chrysler reflects the disturbing...

The Machine That Killed Bad People is about the cultural and political history of the Philippines leading up to the overthrow of President Ferdinand...

Real time development of a video feedback, processed and controlled through a video keyer. Sound results from video signals, interfaced with audio...

In Discs, originally made as installation for a set of monitors, the creators experiment with the phenomenon of horizontal drift trhough the...

A collaboration between Kadet Kuhne & Alba G. Corral.

In Studies cycle, abstract studies are assembled, which document the Vasulka's early work with electronic material. The visual aspect of Tissues is...

The video debut of experimental musicians and culture jamming artists Emergency Broadcast Network.

"We are powerfully imprisoned by the terms in which we have been conducted to think.” - R. Buckminster Fuller

Abstract video art with music composed by Philip Glass. Music by the Kronos String Quartet.

In Warp, Steina makes use of her two favourite features of the Image/ine software, written by Tom Demeyer. The first feature –...

A meditation on speed. The ephemeral phenomenon becomes palpable as a speed sculpture begins a relativity drive along space-time avenues.

An experimental and video art film in which an ox is butchered by a butcher.

"Plasforms" is above all a visual composition, the relevance of the camera's absence, continuing in its time the plastic tradition of seeing. It is...

Matthias Müller’s films are always about both the eternal and the volatile qualities of cinema. They exaggerate the unreality and clinical...